THE NIGHTNOON
Welcome to The Nightnoon—Neil Levin’s bold new chapter in the Cosmic Blues saga. Set inside a mysterious hotel where check-in begins at midnight and check-out ends at noon, this concept album spins a smoky, noir-tinged tale of music, secrets, and unforgettable nights. At the heart of the story is a resident musician, playing his nightly set at the hotel bar for a cast of familiar faces: gamblers, criminals, billionaires, and broken hearts. But tonight, something’s different. This time, he’s playing for them—each song a message, a memory, a reckoning. It's a show they won’t forget. And neither will you. Check in to The Nightnoon now—streaming everywhere music is heard! Explore the Virtual Liner Notes below alongside the album for the complete experience.
The Nightnoon Virtual Liner Notes
Side A
"The Nightnoon is an album about a hotel where check-in's at Midnight and check-out's at Noon. This unusual schedule obviously leads to some nefarious characters staying at this hotel; gamblers, mistresses, billionaires, drunks and criminals. The story is centered around a musician who plays to a crowd of hotel residents, where he performs songs directed at specific people in the audience, especially a love interest who also performs on his off nights at the hotel. 'The Nightnoon Hotel' sets the ambiance and vibe of the album, and pays homage to that classic 60's LA sound in the process, not gonna name names..."
- Neil
"The Nightnoon Hotel" Lyrics:
Dark and mystic night
Take my supple dreams
Back to paradise
Gotta stay out of mind
Check in’s at midnight
Hidden in the hills of Hollywood
Nestled near a canyon creek
Stands an old wooden, blue striped chateau
On an old and lonely street
At The Nightnoon
Check In’s at Midnight
You best be leaving at Noon
Over at The Nightnoon
Check-in's at Midnight
You best be leaving by Noon
You best be leaving by Noon
The bedsheets are all dyed black
Just in case the guests have blood on their hands
A calming cool cigarette breeze
Is flowing through the air
Home to desperate gamblers
Drunken ramblers
Hell bent on chasing their next fix
Over at The Nightnoon
Check in’s at Midnight
You best be leaving at Noon
Over at The Nightnoon!
Check in’s at Midnight
You best be leaving by Noon
You best be leaving by Noon
I pass through these carpeted halls
nestled in the trees
near a cool lake of azure
A place they call
The Nightnoon
"'Hard To Get' was one of the fun ones to record because we got to go into the famous Tubetown Records studio in San Clemente, owned by Hayden Hanson of Tunnel Vision. Getting to work alongside one of the best in the Ska/Reggae scene inspired me to try and capture some of that Reggae essence. Story-wise within the album, the main-character- musician is playing his opening song to the crowd, but it's directed at a specific love interest who he see's perform there on his off days. This particular night, she's in the crowd, and it's almost like everyone else fades away, and he's just playing to her. Anytime they interact, off stage, she's always playing hard to get. This love interest is a reoccuring character throughout the album. He really is playing this whole show, to get her attention. This is visualized in the official music video for the song."
- Neil
"Hard To Get" Lyrics:
Hopin′ that you look my way
Wanna catch a little glimpse while I'm playing on stage
See you here all the time
I know you play this club too
And you sing the blues
How many times do I wait
To make the first move?
Let′s see what she thinks of this groove
And do I play it real smooth
I'm here all night
And I ain't gonna tell a lie
And I know it′s gonna be a long time
Before I earn your trust
I said it′s gonna be a long time
Cuz she's playing hard to get
I know you′ll be up here singin' with me someday
I can see it in your eyes when you′re standing in front of the stage
Meet me outside, after the show
By the hotel bar
Maybe then girl I'll make the first move
And you can tell me what you think of this groove
And did I play it real smooth
I′m here all night
And I ain't gonna tell a lie
And I know it's gonna be a long time
Before I earn your trust
I said it′s gonna be a long time
Cuz she′s playing hard to get
And it's gonna be a long time
Before I earn your trust
I said it′s gonna be a long time
Cuz she's playing hard to get
And it′s gonna be a long time
Before I earn your trust
I said it's gonna be a long time
Cuz she′s playing hard to get
"This song was inspired by my love for motorsports. 'The Limit' is about living life on the edge, to it's limit, but also offers some words of caution, as everything in excess can take its' toll. I actually have a Sim-Racing setup at home, and that is me virtually driving in the official music video. Following the story set within The Nightnoon, this song is a part of the musicians performance for the crowd of residents, but it's directed at that same reoccurring love interest from 'Hard to Get.' He notices she's a very material person, so in a way he's calling her out, saying 'you don't need all of these things if you have me'"
- Neil
"The Limit" Lyrics:
I′m thinking that she likes this new phase
Fast cars and a diamond craze
It'll never go out of style
Living fast and dying proud
They say she′s got a heavy foot
And she don't use the brakes as much as she should
But when you see her comin' ′round the bend
It′s the limit calling her back again
Keep pushing to the limit
Keep the car in overdrive
Cuz the sky ain't the limit
And baby, we′re never gonna die
She never knows when to stop
Too many shoes and too many tops
I think she needs out of this phase
But her watch says it's in good taste
Keep pushing to the limit
Keep the car in overdrive
Cuz the sky ain′t the limit
And baby, we're never gonna die
Keep pushing to the limit
Keep the car in overdrive
Cuz the sky ain′t the limit
And baby, we're never gonna die
Cuz living on the limit
It ain't gonna set you free
Once you get there
You gotta keep up the speed
And if the brakes don′t work
The car′s still in overdrive
So you gotta let off of the gas sometimes
Cuz baby, one day, we're bound to collide
Ohh, we′re bound to collide
Keep pushing to the limit
Keep the car in overdrive
Cuz the sky ain't the limit
And baby, we′re never gonna die
Keep pushing to the limit
Keep the car in overdrive
Cuz the sky ain't the limit
And baby, we′re never gonna die
We're never gonna die
We're never gonna die
"'Love Is' is a simple love song, with a simple message, there's a right way to love someone and a wrong way. Within the context of The Nightnoon, this is part of the main-character-musician's sales pitch to his love interest in the crowd, a regular performer at the hotel as well. He's telling her he's gonna treat her right."
- Neil
"Love Is" Lyrics:
(dada dada dada)
I wanna show you what love is
(dada dada dada)
And it's not standing in the pouring rain
(dada dada dada)
Make-up running down your face
(dada dada dada)
(Love is)
When I'm thinking about you every day
(Love is)
When I can't get you out of my brain
(Love is)
Driving me crazy
Wondering what she's wearing tonight
It must be something bout the way you smile
You always seem to get left high and dry
Wondering why, you always get treated this way
(dada dada dada)
I wanna show you what love is
(dada dada dada)
And it's not standing in the pouring rain
(dada dada dada)
Make-up running down your face
(dada dada dada)
(Love Is)
Taking you out before taking you home
(Love Is)
Letting everyone else know
When you find the only person that makes sense in this cold world
(dada dada dada)
I wanna show you what love is
(dada dada dada)
And it's not standing in the pouring rain
(dada dada dada)
Make-up running down your face
(dada dada dada)
(dada dada dada)
I wanna show you what love is
(dada dada dada)
And it's not standing in the pouring rain
(dada dada dada)
Make-up running down your face
(dada dada dada)
If you'd asked me what the first thing I'd draw would be
I'd tell you I would paint you a portrait
You can hang it on your wall
(dada dada dada)
I wanna show you what love is
(dada dada dada)
And it's not standing in the pouring rain
(dada dada dada)
Make-up running down your face
(dada dada dada)
(dada dada dada)
I wanna show you what love is
(dada dada dada)
And it's not standing in the pouring rain
(dada dada dada)
Make-up running down your face
(dada dada dada)
There's something here going on
(dada dada dada)
There's something here going on
(dada dada dada)
Side B
"'Moonshine' almost continues the musicians love-sales-pitch, but this time, he's fantasizing about what the future holds, and in this fantasy, they have their own private island. It's a beautiful pitcure that I wanted to paint, about getting to spend the rest of your days eating coconuts and drinking moonshine on a private island with your true love."
- Neil
"Moonshine" Lyrics:
Tell me where we′ll be in 20 years
Will we be stranded on some island drinking some moon gin?
Will we be far away from all our fears?
Will we be swimming through paradise in the Caribbean?
Oh, take in the sunlight
Come on over drink my home made moonshine
Oh, take in the starlight
We'll be sailing dawn by moonlight
You can be my friend until the end
And we′d have our own private island
You can be my friend until the end
And we'd have our own private island
When the sun goes down
And the stars come out
We'll live out our dreams like we′re 20 years out
We can find the buried treasure hidden deep within our hearts
You could love me forever, underneath the stars
Oh, take in the sunlight
Come on over drink my home made moonshine
Oh, take in the starlight
We′ll be sailing dawn by moonlight
You can be my friend until the end
And we'd have our own private island
You can be my friend until the end
And we′d have our own private island
Oh, take in the sunlight
Come on over drink my home made moonshine
Oh, take in the starlight
We'll be sailing dawn by moonlight
We′ll be sailing dawn by moonlight
"It's no secret that I'm a huge fan of Reggae. 'Sonora' is my personal tribute to the legends of Reggae I grew up listening to, infused with my Cosmic Blues sound. The song itself has double meaning, the first by way of the musician in The Nightnoon addressing his love interest in the crowd. He has seen her perform, he has hung out with her off stage, and she's always played hard to get, yet he see's her constantly getting her heart broken, mistreated or let down by other guys. The love interests name is revealed to be, Sonora. The other hidden meaning within the song has to do with psychedelic cactus."
- Neil
"Sonora" Lyrics:
Sonora
Where you gonna run now?
Sonora
Where you gonna go now?
She turns rain to sunshine
She lights up the room with her smile
But she’s always on the run from someone
When all she does is spread her love like
Sonora
Where you gonna run to now?
Sonora, yeah
Where you gonna go now?
You can’t go to the trees
Cuz I know they see everything
You can’t go to the sea
But your always coming back to me with
Sonora, yeah
Where you gonna run now?
Sonora, yeah
Where you gonna go now?
When your feeling low
And got no place left to go
Just to take a look inside
And see where the truth lies
Through cacti eyes
With Sonora
Where you gonna go now?
Sonora, yeah
Where you gonna go now?
Sonora, yeah
Where you gonna go to now?
Sonora
Singin' Sonora
(Where you gonna go?)
"'Reckoning' breaks the 4th wall a little bit. While it is still within the story of the album, directed at rich, capitalist billionaires who frequent the hotel, the song is more fact than fiction. With all the injustices going on in the world, it was important to me to show everyone where I stand, so people know I care about what's right, and ultimately that they aren't alone. There's a lot of cognitive dissonance in our real life world, and people have no problem stepping on each others heads to stay selfish. This is me letting you know I got your back and will not stand for the current situation we have been presented with in 2025. I plan on using any platform I'm given as an artist for good. Love is the answer."
- Neil
"Reckoning" Lyrics:
Judgements here in plain sight
Hellfire rains down from the sky
Sparks from a hill fly
No one is questioning why
Why we all have to die?
Where does the meaning all go?
Are you chosen or do what your told?
This isn′t the start of religion
Or a fascist nation's decision
This is because you are a victim
Of the system in which you were given
Noise is easy to come by
And music is hard to find
Where a false prophet waves his hand in the sky
Reckoning is never too far behind
The truth will never lie
But it isn′t always right
Open up your minds eye
It's happening in plain sight
Yes, it's what you think
It′s based on what you drink
You either let in the fire
Or get blinded by desire
I was blinded by hate
Always chalked it up to fate
But, now I′m falling in love
Guess that was the meaning all along
Noise is easy to come by
And music is hard to find
Where a false prophet waves his hand in the sky
Reckoning is never too far behind
Noise is easy to come by
And music is hard to find
Where a false prophet waves his hand in the sky
Noise is easy to come by
And music is hard to find
Where a false prophet waves his hand in the sky
Reckoning is never too far behind
"'Rubber Ducky' is a personal reflection by the main- character-musician within the album. He is coming to terms with what it would take to get out of the cycle he's trapped in, playing nightly for questionable people at quationable hotel. This song obviously is a personal reflection for me as well, as I'm 25 now, approaching 26, my invincibility complex that came with youth is long gone, and I'm in the thick of my music career. No one wants to grow up, but it's inevitable, and the rubber duck as a symbol, represents the traces of your childhood, slowly being replaced by adulting. The whole idea behind working at steel mill, is a little nod to being born into being a guitar player. The strings are made of steel, and sometimes when people ask what I do for a living, I'll say, 'I bend steel.'To me, it's a powerful closer to an album where i feel like the musician character really takes you on a journey with him. I hope to make this album into a movie someday, so you can see the full vision, just as much as you can hear it."
- Neil
"Rubber Ducky" Lyrics:
I was born to work on the steel mill
Make ten dollars a day
Enough for my next meal
If you work hard, think smart
See the game and play along
You won′t get the sharp end of the stick
Gotta keep your cards close
Play 'em slow, bluff or let ′em go
That's how you'll make it out of here
Goodbye rubber ducky
Your youngin′ days are gone
Goodbye rubber ducky
Can′t blame me for holdin' on
Mama told me, you either sink or swim
And gamblings a sin
So don′t wind up like him
He's an outlaw, alcoholic
User with withdrawals
Who can′t seem to keep a steady gig
But you're Louisiana strong
And you′re smart like your Pa
And you'll do fine my kid
Goodbye rubber ducky
Your youngin' days are gone
Goodbye rubber ducky
Can′t blame me for holding on
Goodbye rubber ducky
Your youngin′ days are gone
Goodbye rubber ducky
I bet you wish that you held on
Father said son, the time has come
Pick up your gun
Go 'head and pick up your gun
Cuz goodbye rubber ducky
Your youngin′ days are gone
Goodbye rubber ducky
Can't blame me for holding on
Cosmic Blues is Neil Levin's personal tribute to The Blues. The album is centered around his self pioneered genre of the same name, which seeks to reimagine the classic Blues sound, for a modern audience. Conceptually, the album picks up where his last two albums left off, centering around a character who meets an early fate, but through the will of the cosmos, is resurrected to play The Blues. Indulge in the album's Artificial Vinyl Listening Experience, whilst exploring the album's story via the Virtual Liner Notes below, containing Neil's personal track notes and official song lyrics...
Cosmic Blues Virtual Liner Notes
Side A
"This song picks up directly where my last album, Sultry Have Gone The Roses, leaves off... our main character is dead. Tons of nods to influences and heroes of mine on this one, let me know which ones you're hearing!"
- Neil
"Not Worthwhile" Lyrics:
Let me tell you about what I want
Let me tell you about what I need
A girl who's gonna hear my prayer
Not leave me on my knees
Cuz I'm broken, dead and not worthwhile
I said I'm broken and I'm dead and not worthwhile
Cuz I'm broken, dead and not worthwhile
Yeah I'm broken and I'm dead and not worthwhile
(Keep gettin' the same signs)
Did she give me what I deserve?
Was it worth all of his pain?
Am I something worth fighting for?
Are you gonna leave me again?
Cuz I'm broken and I'm dead and not worthwhile
Yeah I'm broken and I'm dead and not worthwhile
Cuz I'm broken and I'm dead and not worthwhile
Yeah I'm broken and I'm dead and not worthwhile
(Alright)
Oh, what I want is what I need
A girl that's gonna set me free
Cuz I'm broken and I'm dead and not worthwhile
I'm broken and I'm dead and not worthwhile
"I know this intro is short and sweet, but our goal was to channel the vibe of a Southern Blues bar, maybe in New Orleans, and somehow transition that old school sound, into the Cosmic Blues sound... it's almost like a before and after scenario. The song starts with this old time-y timbre, and transitions into the opening of 'Gone Away' in a really cool way. This is one of the many nods to the traditional side of The Blues on this record. If you listen closely, you can hear producer Ben Relf saying 'Here it comes' before I come in singing."
- Neil
"Story wise, our character is still dead, but from the afterlife, I guess you can say they are feeling a bit like holding a grudge. Death is something mystifying yet equally shared amongst everything, and the idea of calling your ex-lover out from the after life with a symphony of guitars is something I could not pass up. I'm dedicating the guitar solo on this track to Jerry Garcia... ifykyk"
- Neil
"Gone Away" Lyrics:
The boy you used to love, up and gone away
Did you hear the news yesterday
He washed up in the middle of the bay
I tried to tell you in some way
That the boy you used to love, up and gone away
Rather be someone else's burden
When you came to me you were on the verge of
Dreaming and feeling the night away
Cuz the boy you used to love. up and gone away
Now I'm rolling in the ground
I'm no longer your hound
I feel my soul is hell-bound
But if seeing is believing, then I'm ok
Cuz the boy you used to love, up and gone away
Cuz the boy you used to love, up and gone away
"This song picks up where the last two leave off ("Not Worthwhile" & "Gone Away"), our character is dead. This is the same character, that upon a more further dive, is actually the same one carried on from my last two albums. Their death actually is first mentioned officially in the song "Bury Me" off of my last album. They are so heartbroken after finding out their lover cheated on them, they take their own life in an attempt to truly get the last laugh, and guilt trip their lover. All that is then left to do is bury them. Obviously, only one person truly loses in this scenario, the one who dies. When writing this song, in the back of my mind, I felt like i was closing the bookend of The Blue Roses saga. This song even felt like a 'part 2' to the song "Blue Roses" off of my album I put out back in 2020, I Want Blue Roses on My Grave." The roses are finally being laid on the grave. The Blue Roses to me have always been a symbol of the characters eventual suicide. It's like saying from the afterlife to the partner who wronged them, 'You said you loved me, but went and hurt me, and now I'm dead and all that's left to do is put these Blue Roses on my grave.' This kind of stuff has always given me chills, postmortem requests, so I had to lean into it."
- Neil
"Roses on the Grave" Lyrics:
It was springtime, I met my fate
The skies were blue, but your eyes were filled with rain
My time came, oh my time came
It's time to put those blue roses on my grave
So put 'em down, put 'em down
Put those blue, blue roses in the ground
Cuz my time came, oh my time came
Blue skies of rain, my time came
So let 'em down
Let 'em down
Let those blue, blue roses hit the ground
Cuz my time came, oh my time came
Blue skies of rain
So let 'em down
Let 'em down
Let those blue roses hit the ground
My time came, oh my time came
Blue skies of rain, blue skies of rain
It was springtime, I met my fate
The skies were blue but your eyes were filled with rain
My time came, oh my time came
It's time to put those blue roses on my grave
Side B
"I always imagined this tune as us recreating the sound and atmosphere of a show at The Rib Joint, a local bar in Dana Point I got my start playing at, early in my career. On a deeper level though, the character who's story is being told in this album, which could be any one, is swirling around in the cosmos after their untimely fate, searching for answers, until suddenly, they meet someone special in the void..."
- Neil
"Our main character whilst swirling through space, encounters The God of Blues, and He offers to grant their life back in exchange for one simple thing, 'play that guitar till you die.' This song is my tribute to some of the later class of players I look up to. I felt like I was channeling BB King at times, or Albert Collins, or even some Muddy. I really just wanted to do my own thing on this whole record, but still leave some space for the greats. I am never claiming any sort of originality with The Blues, I mean, it's The Blues, it doesn't belong to anyone. That being said, I wanted to make this record as transparent as possible, leaving no mystery to who inspired it and where it truly came from. There's also a little tilt of the cap to Robert Johnson's 'Me and The Devil Blues' on here. This song was actually recorded in 1 take, and the video of Ben Relf and I playing on it together is on Youtube and VEVO."
- Neil
"God of Blues" Lyrics:
Well I spoke to The God of The Blues
'Said I could bring you back to life
Spoke to The God of The Blues
'Said I could bring you back to life
Keep strumming that guitar, and play that music till you die
Don't got no worry
Don't got no sin
All I need baby is my guitar and a bottle of gin
And I go walking, me and The God of Blues side by side
He said, keep strumming that guitar and play that music till you die
Spoke to The God of The Blues, yeah
He said I could bring you back to life
Spoke to The God of The Blues
'Said I could bring you back to life
Keep strumming that guitar and play that music till you die
God of The Blues
Said I could bring you back to life
Well The God of The Blues
He said I could bring you back to life, yeah
All you gotta do is keep strumming that guitar and play that music till you die
"This is my Cosmic Blues tribute to Aldous Huxley and one of his masterpieces, Brave New World. The book was published in 1932, yet at times feels more relevant today than ever. I did combine some things from the book, with some real life topics and events, but can you even tell them apart? From a story point of view, this track can be seen as our main character, now fully resurrected and committed to playing the blues for the remainder of their extended life, awakening to a new modern dystopian age."
- Neil
"Brave New World" Lyrics:
Keep your eyes open to the brave new world
Listening to music that objectifies girls
Drugged out prophets trynna kill your soul
Everything eventually takes its toll
Dump your mind by the side of the lake
Cuz our lives, our lives were never ours to take
Money's all it takes to run this place
They're sending rich people to outer-space
Pumping toxic fumes into the schools
Twisting minds in a crowded room
Leave your mind by the side of the lake
Cuz our lives, our lives were never ours to take
Society is getting worn and old
Dead people choosing who holds the throne
Choosing how the youth will spend their lives
Forcing them to term, against basic rights
Leave your mind by the side of the lake
Cuz our lives, our lives were never ours to take
Watch as they tear down the walls
Building churches on our sacred ground
Everyone's waiting for a great big change
And no one, no one is gonna hear their name
Leave your mind by the side of the lake
Cuz our lives, our lives were never ours to take
"This song is probably the song I was sitting on the longest, and waiting to record. I wanted it to be something I could play and record live in studio, and that's exactly what it was. It had been refined and ready to go long before its recording date, yet underwent the most change in post-production. This song is probably the most personal for me on the record. It deals with emotions, values and affirmations that proved vital to me during a difficult time. It's a reminder that if the world ever goes to sh*t, like, even more unbearable than it can feel at times now, at least if there is a guitar around, I'll get by. Story wise, our character has now come full circle, and realizes they were relying on their own need for connection and love so much, that they were abandoning their own self-worth in the process. This song is a reminder that you are enough on your own."
- Neil
"Sixstring" Lyrics:
Well I played my guitar, on a rainy eve, thinkin' about you in his arms
I was wondering where I'd be, if you stuck with me, maybe love could conquer all?
We'd be sailing a ship, across a delicate sea, if you'd just stuck with me
We'd be dancing on fire, while the world is ours, if you'd just stuck with me
Finally found my way out, figured everything out, I don't need no one to hold
It's just me and my guitar, and baby that's alright, no, she never talks back to me
She just does what I want, makes everyone jump, gets the girls beggin' on their knees
But, no, I don't need them, just a paper and pen, and a six string to strum freely
oh, and a six string to strum freely
I kept playin' my guitar, on that rainy eve, I was thinking about no one but me
oh, I was thinking about no one but me
But, then I think again, what if I changed?
Would we have our own parade?
But you're gone and my guitar's all I need